Time To Fight

If I say 'pirates' and you think 'Caribbean', then we both know where this is heading. With more than a passing reference to a certain well-known theme, it's every bit as swashbuckling, unleashing the full power of a cinematic orchestra and its percussive ensemble. Having said that, it does have slightly less seafaring tendencies and could easily lend itself to many other action settings from thrillers to adventure scenes, given its generally sterner feel. Epic stuff.

Dramatic and powerful track, full of cinematic tension. To start, it's a soft piano creating an ambient, pensive mood, helped by solo cello and violin lines, by the end it's a brooding, dark drama piece backed by metronomic percussion, string shorts and rich brass for a full and dynamic sense of evolving dilemma and unravelling denouement.

Fast moving, hard hitting cinematic track with a full-on intensity and underlying aggression. Mixing the sinister with the heroic, it's dark, it's dramatic, it's epic - and uses all the usual ingredients of stabbing string ostinato, deep brass swells, pounding percussion and rhythmic pulses to create the mood. Very energising.

A short orchestral instrumental piece with powerful horns and strings. Fantastic for trailers and epic action adventures scenes.

Hard hitting orchestral hybrid teaser. Short, and very direct, it launches distorted synth missiles into our ears while pounding us with industrial cyber drums. Sweetening the pain with some fast violin ostinato won't save us, just increase the intensity until our insides disintegrate from the final sub bass drop. All very dramatic, you'll agree.

Epic trailer music. Very epic. Starting calmly with synth pulses and atmospheric tension, it builds through powerful strings and percussive hits to become something else altogether grander. Add in the searing brass a choir and you're hitting next level drama. Melodic and powerful with a hybrid undertone throughout, it's a great example of fantastical action music.